The ways in which individuals remember and narrate
the stressful and traumatic events of their lives has both theoretical
and applied implications. Narratives are essentially the way in which
we make sense of our experiences and our selves. Through creating coherent
narratives of experience, we create meaning and personal significance.
More specifically, narratives allow us to integrate external aspects
of events -- the who, what, and where -- with the internal subjective
evaluation -- the why -- of events. Personal narratives provide the
evaluative stance that allows us to understand and express what events
mean to us. Yet when highly stressful and traumatic events occur, the
ability to create meaning may break down. How can the individual make
sense of what is essentially senseless? Recent research suggests both
that creating meaning through coherent narratives may be a more difficult
process in the face of traumatic experiences compared to everyday experiences,
and that the ability to create more coherent narratives is highly beneficial
for subsequent well-being. However, we know very little about how and
why some individuals are better able to create more coherent narratives
of trauma than others. In this ongoing series of studies, we are examining
how narratives of traumatic and stressful events may be the same and/or
different than narratives of emotionally neutral or highly positive
events, as well as individual differences in the ability to create more
coherent narratives of trauma, and outcomes associated with how trauma
is narrated.
For more informantion, see our recent publications:
Edwards, V., Fivush, R., Anda, R., Nordenberg, D., & Felliti, V. (2001). Autobiographical memory disturbances in childhood abuse survivors. Journal of Trauma and Aggression, 4, 247-263.
Fivush, R., & Edwards, V.J. (2004). Remembering and forgetting childhood sexual abuse. Journal of Child Sexual Abuse, 13, 1-19.
Fivush, R. (2004). Reconciling trauma and self. In A.B. Brown & K. Poremski (Eds.). Roads to reconciliation: Approaches to conflict. NY: Sharpe.